This year, I made a conscious effort to avoid, to a large extent, films I knew I wouldn't like. I saw about 50 fewer films than in 2016 (and have some hope of going below 200 this year). Perhaps as a result, I awarded one star to only sixteen films, making compiling a worst ten list unusually easy.
Jordan Chodorow reviews movies on a scale of zero to four stars. Find reviews of all the latest releases here, along with a searchable database of all reviews from January 2012 to today.
Sunday, January 7, 2018
Saturday, January 6, 2018
Noteworthy Performances of 2017
Of course, there is some fluidity between leading and supporting roles, and between casts and individual performances (but not, at least here, between actors and actresses). That said, here, in chronological order, is what I wrote about some of the especially memorable performances (mostly by women) given in the films of 2017.
Thursday, January 4, 2018
Notes on the Year in Documentary Film - 2017
Winners outnumbered losers 27-15 among the documentaries I saw in 2017, but no great ones.
Wednesday, January 3, 2018
Downsizing, The Post, Happy End, Hostiles, Phantom Thread, In the Fade, Film Stars Don't Die in Liverpool, Molly's Game
Monday, December 18, 2017
The Disaster Artist, Wonder Wheel, Loveless, The Tribes of Palos Verdes, I, Tonya, Foxtrot, Bombshell: The Hedy Lamarr Story, The Shape of Water
Wednesday, November 29, 2017
Roman J. Israel, Esq., Félicité, 1945, Darkest Hour, The Divine Order, No Stone Unturned, Machines, Gilbert, Wait for Your Laugh, Murder on the Orient Express, A Fantastic Woman (Una Mujer Fantástica), Three Billboards Outside Ebbing, Missouri, Call Me By Your Name
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| Roman J. Israel, Esq. |
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| Félicité |
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| 1945 |
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| Darkest Hour |
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| The Divine Order |
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| No Stone Unturned |
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| Machines |
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| Gilbert |
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| Wait for Your Laugh |
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| Murder on the Orient Express |
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| A Fantastic Woman (Una Mujer Fantástica) |
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| Three Billboards Outside Ebbing, Missouri |
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| Call Me By Your Name |
In a mid-to-late November with several terrific titles (and only one true dog), one film stands above all.
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