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| Woman in Gold |
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| Effie Gray |
Even as a critical filmgoer perceives the flaws in Simon Curtis’ “Woman in Gold,” about the late Maria Altmann’s efforts to recover Gustav Klimt’s iconic portrait of her aunt, Adele Bloch-Bauer, which painting had been seized by the Nazis, he cannot deny its effectiveness or pretend to be surprised by the warm ovation it garners.
