Showing posts with label Kristen Wiig. Show all posts
Showing posts with label Kristen Wiig. Show all posts

Wednesday, May 13, 2015

Welcome to Me, About Elly, Hot Pursuit

Welcome to Me
About Elly



Hot Pursuit


Capsule reviews on two near-misses from the art house and a BOMB! (to use Leonard Maltin's nomenclature) from the multiplex:

Thursday, December 26, 2013

The Secret Life of Walter Mitty





Ben Stiller's update of "The Secret Life of Walter Mitty" achieves more of what it sets out to do than most of the better-pedigreed Christmas releases this year.

Tuesday, July 23, 2013

Thursday, July 4, 2013

Despicable Me 2, Kevin Hart: Let Me Explain


Despicable Me 2
Kevin Hart: Let Me Explain




The directors of “Despicable Me 2” are Pierre Coffin and Chris Renaud. The names do not surprise me. This franchise is based on that inimitable Gallic sense of humor – that everybody hates.

Wednesday, March 14, 2012

Friends with Kids





Director Jennifer Westfeldt casts herself as the lead in her new picture "Friends with Kids," about a girl and her platonic best friend (Adam Scott), who decide to forgo the boyfriend-girlfriend, marriage-divorce thing and cut straight to having a baby together. It's the sort of New York romcom where all the young people have good jobs and lots of square feet, but we never see them at work. Much of the picture is devoted to their friends' reactions to their iconoclastic lifestyle choice, with the friends played by the cast of "Bridesmaids." Kristen Wiig is massively underused in an underwritten part, but manages to get a huge laugh out of something as small as the way she pours one glass of half-drunk wine into another. The breakout star is Chris O'Dowd, the dishy cop from "Bridesmaids," who shows real comic flair, saying just enough crude-but-real guy stuff perpetually to exasperate his wife (Maya Rudolph). Scott makes an appealing, if lightweight, co-star, but Westfeldt lacks screen presence: she's vaguely sweet, a little mousy, a little whiny. The movie has more laughs than most of its ilk - at times recalling Alan Cumming's and Jennifer Jason Leigh's "The Anniversary Party" - but falls prey to the gratuitous vulgarity and verbal diarrhea that have become pandemic.