I had Joe Wright’s “Hanna” on my top-ten list last year, and he’s done all he can to bring visual flair to Leo Tolstoy’s “Anna Karenina” (by way of Tom Stoppard), imaginatively transposing the Russian love story to an elaborate, ever-shifting, multi-layered stage set. And Keira Knightley, who’s become highly reliable and occasionally (as in last year’s “A Dangerous Method”) quite bold and risk-taking, puts passion into the title role of a government minister’s wife cast out of society by virtue of an injudicious affair before ever really entering it.
