Either his picture or the hugely entertaining "Exit Through the Gift Shop," which has really captured the zeitgeist, would make a worthy winner.
Honorable mention goes to Lucy Walker's "Waste Land," about the Brazilian artist Vic Muniz's yearlong project involving pickers from the largest dump in Rio. A step down from there to the war movie "Restrepo," but still better than the cheap-shot tactics of "Inside Job."
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